Glazing on the potter’s wheel

7:2 Coning technique

Pulling walls to the left as a technique to increase height of form

Thumb lock technique at base of cone to aid centering

Development of the idea of compression as the whole process and sole means of production during the different throwing stages

Suspension throwing. Used as a means to produce complex forms such as Soul Jars, Ewers, and Chandelier Globes

Suspension firing

Handle pulling technique for spouts

Use of blender instead of sieve for glaze production

Rhinestone additions post firing in place of the use of glaze for color expression (Incrustado)

Layering crystalline glazes with use of bottles

Three stages of throwing as a technique to teach

Profile study and development to refine form

Massive hump mold production. This includes the use of 4x4 sheets of plywood as a bat

Collapse of form frozen with fire as a means to produce asymmetrical forms

Extensive use of form setup to achieve efficient throwing process

Use of handle pulling technique to produce sculpture

Translucent halloysite to produce chandeliers with crystalline glaze

Triangle bases using hollow cylinders and thrown and altered techniques

Reclaim clay method using hump molds